The Girl Next Door
On one hand, I’m relieved to find out that Jack Ketchum’s THE GIRL NEXT DOOR was inspired by a true story, because I don’t want to think that the man’s imagination is so demented that he dreamt all this up by himself.
On the other hand, I’m repulsed to find out it was inspired a true story, because the subject matter is so horrific, it sickens me to think people like this actually exist.
Originally published in 1989 but just now back in print from Leisure Horror, the novel starts out innocently enough, with the narrator David recalling the summer in the late 1950s when he was 12. The memories he evokes are nostalgic, reminiscent even of several Ray Bradbury works. But then David meets Meg, aka THE GIRL NEXT DOOR. With she and her crippled younger sister freshly orphaned, Meg has come to live with her distant aunt Ruth, a single mother to three scrappy sons.
Meg knows her new environment is going to be an adjustment, but she has no idea what she’s in for. Nobody does. With no reason at all (perhaps the most chilling aspect of this tale), Ruth utilizes her basement as a torture chamber for Meg. Soon her boys join in. Before long, so do other kids in the neighborhood, with the level of depravity and violence escalating every day. David bears witness to several of the beatings (not to mention other atrocities) and is rightly terrified, but also finds something strangely attractive about it.
If this book doesn’t dig right under your skin and bother you, you’re soulless. At times you will find it difficult to progress; at other times you will want to throw it across the room. But you won’t, because Ketchum does such a compelling job at ratcheting up the suspense that you absolutely must see what happens next, even if next makes you want to jump into the story and choke these bastards yourselves. I have to give him credit for sending a chill up my spine with Chapter 24, which consists of a mere seven words.
That alone is enough to give THE GIRL NEXT DOOR a solid recommendation (at least to the strong-willed), but Leisure sweetens the pot by throwing in some value-added extras. In addition to an essay by Ketchum about why he wrote the book, two of his short stories are included, one of which is seeing print for the first time. Too bad neither is lucid enough to be effective, but chances are anything that would dare follow the harrowing main feature would pale greatly in comparison.
I wanted to read this book for years but refused to pay fifty bucks for some dog-eared paperback. Once it was in print again I snatched it up and read it in a couple of short nights. Wished I wouldn’t have waited so long.
I was afraid it wouldn’t live up to years of hype, but it did. And then some. A couple of times I cursed him and wondered why he couldn’t have just left certain things out. But then I realized in a story like this nothing is off-limits.
I agree. But there is that one-page chapter just after they’re leading up to the story’s most brutal moment and the narrator says something like, “I’m not going to tell you about this. I refuse to.”
And then it’s on the next chapter, which picks up directly afterward, leaving it all to your twisted imagination.
I loved this book. I remember vaguely hearing about it years ago, but I just couldn’t find it. then this past September I saw it at a local bookstore and just picked it up. Definitely worth the wait.
It’s funny – I wasn’t aware that this book had such a life to it. It wasn’t until after I read it that I learned of the cult around it.
[...] Later in the summer, giant worms invade in Brian Keene’s THE CONQUEROR WORMS and Jack Ketchum’s infamous cannibal tale OFF SEASON finally gets back in print, and uncensored at that! If you’ve read his equally notorious THE GIRL NEXT DOOR, you know exactly the kind of shocks to expect. [...]
[...] Needless to say, a huge twist occurs before her life can be extinguished, and you’re going to react in one of two ways: by tearing through the rest as fast as possible to find out what happens, or by hurling the book across the room. Just before it, I thought SURVIVOR was fairly tame compared to other stuff I’ve read – perhaps one Habitrail away from matching the depravity of AMERICAN PSYCHO – but then that damned page 142 rolled around. I won’t divulge the details, but suffice to say, it’s not something I ever expected to read anywhere, an act that not only puts the “X” in “extreme,” but bolds and underlines it as well. And you’ve still got 230 pages left to go! [...]
[...] Rant over. I’m a sucker for haunted house stories, and Garton’s – mixing AMITYVILLE, POLTERGEIST and Jack Ketchum’s THE GIRL NEXT DOOR – is a good one. It hooks from the start, lags a bit in a couple of chapters toward the middle and comes back with a vengenance for the end. –Rod Lott [...]
[...] His THE GIRL NEXT DOOR is rightly a modern-day horror classic. No less notorious is his 1980 novel OFF SEASON, now available in “the author’s uncut, uncensored version” from Leisure. It’s not that it concerns cannibals that makes me unsettled. It’s that it concerns children who are cannibals. [...]
[...] OTHER BOOKGASM REVIEWS OF THESE AUTHORS: • THE ADVENTURE OF THE MISSING DETECTIVE AND 19 OF THE YEAR’S FINEST CRIME AND MYSTERY STORIES edited by by Ed Gorman and Martin H. Greenberg • BLACK RIVER FALLS by Ed Gorman • DARK DELICACIES edited by Del Howison and Jeff Gelb • DEAN KOONTZ’S FRANKENSTEIN: BOOK TWO – CITY OF NIGHT by Dean Koontz and Ed Gorman • DIFFERENT KINDS OF DEAD AND OTHER TALES by Ed Gorman • FLIGHTS: EXTREME VISIONS OF FANTASY edited by Al Sarrantonio • FOUR DARK NIGHTS by Bentley Little, Douglas Clegg, Christopher Golden and Tom Piccirilli • GHOST TOWN by Ed Gorman • GRAVES’ RETREAT by Ed Gorman • GUNSLINGER AND NINE OTHER ACTION-PACKED STORIES OF THE WILD WEST by Ed Gorman • HALLOWS EVE by Al Sarrantonio • HORRORWEEN by Al Sarrantonio • INVASION OF THE BODY SNATCHERS: A TRIBUTE edited by Kevin McCarthy and Ed Gorman • THE GIRL NEXT DOOR by Jack Ketchum • KEEPERS by Gary A. Braunbeck • LADIES’ NIGHT by Jack Ketchum • LIVE GIRLS by Ray Garton • THE LOVELIEST DEAD by Ray Garton • 999: TWENTY-NINE ORIGINAL TALES OF HORROR AND SUPSENSE edited by Al Sarrantonio • OFF SEASON by Jack Ketchum • THE WIDOW OF SLANE AND SIX MORE OF THE BEST CRIME AND MYSTERY NOVELLAS OF THE YEAR edited by Ed Gorman and Martin H. Greenberg • WOLF MOON by Ed Gorman [...]
I’ve got the infamous copy that sports a skeleton in a cheerleader’s outfit on the cover. I can still remember the scuzzy feeling I had while was reading this book, as though I was somehow complicit in what was going on. Still, I couldn’t stop reading, even though I didn’t want to know what was going to happen next. Like the narrator, there was something strangely compelling about what was happening. I think the book is rightly a classic milestone in horror, just for these very reasons. Recently developed as a film, with another movie being made about the real-life crime that inspired the book coming hot on its heels. For another similar book in Ketchum’s bibliography, try Stranglehold, where he does some of the same ratcheting up of suspense and tension past the point of no return.
[...] away the time, they also violate her, repeatedly, in the most humiliating ways possible. As with THE GIRL NEXT DOOR, this makes it extremely rough to read, but it plants you squarely on Sara’s side — no ifs, [...]