The Real Animal House: The Awesomely Depraved Saga of the Fraternity That Inspired the Movie

by Bruce Grossman on November 8, 2006 · 1 comment

real animal house reviewChris Miller’s THE REAL ANIMAL HOUSE: THE AWESOMELY DEPRAVED SAGA OF THE FRATERNITY THAT INSPIRED THE MOVIE contains the stories on which one of the funniest films ever made was based. I just wish these stories were as funny.

Now, there are some things from the movie that have found their way into Miller’s memoir: specifically, the mustard sequence, the motorcycle driven up the steps, bands playing live, going to an all-girls college, and this line “We need the dues.” But in the film, those were expanded with things like humor. I mean, if you find countless stories of throwing up a laugh riot in and of themselves, then this book is for you, since vomiting accounts for probably 70 percent of the stories here. It seems Miller – one of HOUSE’s screenwriters – is looking back at his own college days with rose-colored glasses.

So I don’t come off as some anti-fraternity guy, know that I was in a fraternity all through college, and some of my stories blow away some of these “lurid memories.” Every time I watch OLD SCHOOL, I see the behavior of one of my brothers done so well by Will Ferrell.

You ever run into old college friends with an outsider and you talk about the old days? Your pal feels left out, having not been there. Well, that’s the problem with the book. We’re introduced to countless members of the fraternity, but they all seem to melt into one or two types. Yes, there are a few laughs and you find out why Miller was nicknamed Pinto. But on the whole, it seemed every story ended with them all drinking to a point of alchol poisioning. Yeah, wasn’t college life great back in the early ’60s?

For those who want to hear about my exploits in college. I’ll be giving a lecture called “Stupid Shit I Did and Can’t Believe I Was Cheered on for Doing” at 4 p.m. in Hoxie Hall. –Bruce Grossman

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Bruce writes the "Bullets, Broads, Blackmail and Bombs" weekly column. He lives in Massachusetts.

{ 1 comment… read it below or add one }

Greg Cameron May 17, 2011 at 1:32 pm

Actually, I sympathize rather with Chris Miller. He spent much of the seventies trying to get his ‘serious’ work published by Quality Lit publishers (as well as a prototype of this book). His work with National Lampoon was grossly hilarious and very underestimated by those who would dismiss anything associated with the publication as ‘sophomoric.’ As Nile Southern observed, humour in literary magazines was pretty much blacklisted from the seventies on(as if humour and high seriousness were somehow antithetical – Swift and Rabelais live in vain!). Most literary types were into this boring soap opera stuff about ‘relationships’ in the seventies and eighties(believe me, in respect to the latter, I know!). I can imagine he had a great deal of trouble with the Quality Lit types. This book, in academic terms, poses a bit of problem. Is it a novel? Is it a fictionalized, or semi-fictionalized, memoir? While Miller’s book is not as cartoonishly broad as the film “Animal House’, it clearly has nothing to do with the Reality Principle either(how do people like this pass their courses? , etc. When Miller says some of these people went on to bourgeois respectability, one suspects a sly commentary on the same). There is none of the political underpinning of the film(as outlined best by Tony Hendra in “Going Too Far”) and the book suffers occasionally from insufficiently distinguished characterization. There is also the odd turn of phrase out of sync with the times – the peril of artists living too long, alas. Still, if you’re expecting good taste from Chris Miller, well, it’s sort of like expecting the sun not to shine. Come on! The man was a stated disciple of Terry Southern(the ‘God’ of bad taste humour) and his work with National Lampoon was deliciously decadent(anyone remember the bit about the guy trying to hump the telephone? it’s a classic of something or another!). By far the best scene is the one set in the black whorehouse – a minor masterpiece of observation and raunchy humour. Terry Southern was absolutely have loved it. While a bit more Reality Principle might have been welcomed as ‘spice’ or counterpoint in the novel(remember the Karen Allen character in the film voicing the Reality Principle? do you really want to spend the rest of your life living like this?, etc.), the book floats merrily above such things. For those who loved Miller’s work back in his Nat Lamp days, there’s nothing else quite like this. Needless to say, people who party too hard at university usually end up blowing their marks or ending up with substance abuse problems. Still, let’s enjoy this for what it is – a comic fantasy with one foot in reality, as it were. And if you don’t like it, feel free to boot….Greg Cameron, Surrey, B.C., Canada

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