Out of Picture: Art from the Outside Looking In — Volume 1

out of picture reviewBy day, the men and women of Blue Sky Studios animate blockbuster movies like ICE AGE, ROBOTS and HORTON HEARS A WHO! But the stories they tell in those films aren’t their own; those they have saved for OUT OF PICTURE: ART FROM THE OUTSIDE LOOKING IN — VOLUME 1.

This oversized, themeless, anything-goes anthology is a unique project that straddles the genres of “art book” and “graphic novel,” allowing its 11 contributors to exercise — and perhaps exorcise — their personal creative demons that their day job of animating a character to be voiced by John Leguizamo just doesn’t offer.

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QUICKGASM >> 5.8.08

quickgasmBecause time isn’t always kind: economic reviews in a world full of waste!

fifth witch reviewTHE 5TH WITCH is a ho-hum witch-meets-gangster thriller by Graham Masterton. Bizarre killings are occurring in the City of Angels, and what looks like a mob war is overshadowed by the presence of four of the aforementioned witches. Fortunately, there’s a neighborhood white witch available to investigate and uncover the real reasons behind the grisly deaths. Masterton is a prolific writer, but this isn’t one of his better works; perhaps Lifetime may come calling. There’s nothing very unique in this cross-blending of subject matter, but he does manage to make the concept work the first few pages. Still, it ultimately fails more in conception than execution. A quick, easily forgettable read — kinda like a literary Smarties. —Matt Adder

cold plague reviewMedical thrillers aren’t as in vogue as in the past, despite — or perhaps because of — their scenarios becoming ever too close for comfort. Robin Cook had this genre practically to himself, but now that he’s on autopilot, some newbies are taking up the slack, like Michael Palmer and Joshua Spanogle. Add to that list Daniel Kalla, who delivers his latest with COLD PLAGUE. His all-too-real virus tales peg him as fiction’s answer to Richard Preston – a rep worth strengthening with this number about a mad-cow-like disease that rages the systems of animals and humans. It’s just a tad too lengthy, but its science feels legit, which of course, makes it frightening if you let it get to you — something any med-thriller should aspire to achieve.

at crossroads reviewI may have graduated from college 15 years ago, but I can still remember how entirely terrifying it seemed to join the real world. For artist Kate T. Williamson, she chose to postpone life by staying in her parents’ house for a couple of months to work on a book. That time stretched into more than a year, all chronicled in the autobiographical ink-and-watercolor graphic novel AT A CROSSROADS: BETWEEN A ROCK AND MY PARENTS’ PLACE. It’s not a conventional narrative, but admirably brave and real, full of both joy and depression as Williamson wonders if she isn’t letting life pass her by. She draws with a style that reminds me of Roz Chast, but tidier, and the emotions are as genuine as they come (loves laying in bed at night and hearing the sounds of the train — me, too!). Transitionary spreads depicting the changing of the seasons are gorgeous. She’s an amazing talent.

when science goes wrong reviewIn the laboratory, sometimes you cure a disease, and sometimes the experiment just blows up in your face. It’s the latter that neuroscientist Simon LeVay explores in WHEN SCIENCE GOES WRONG: TWELVE TALES FROM THE DARK SIDE OF THE DISCOVERY. To me, the well-intentioned failures are always the most interesting than the eventual successful, so LeVay’s nonfiction collection of essays is fascinating. They play out like mini-mysteries, and I was particularly disturbed by the account of a Parkinson’s-stricken jogger who underwent highly experimental fetal transplants; not only did they not work, but an autopsy found hair growing in his brain from it. Other chapters of note involve explorers who stupidly descended into an active volcano and a rape case where CSI-style methods fingered the wrong guy. Because LeVay went out of his way to interview the actual people we read about (at least those who agreed to talk), this book has the benefit of being that much more credible. –Rod Lott

Buy it at Amazon.

Diana Prince: Wonder Woman — Volume One

diana prince reviewSometime in the 1960s — 1968, to be exact, DC Comics had the bright idea* to strip Wonder Woman of her dumb-ass costume** and give her a mod makeover that’s equal parts Emma Peel and James Bond. The groovy results are now collected in DIANA PRINCE: WONDER WOMAN – VOLUME ONE, you dig?

So here’s how it all goes down: Diana’s boy toy Steve Trevor is convicted of a murder he didn’t commit and makes a run for it. Meanwhile, she’s lost her powers temporarily***, so the star-spangled shorts get kicked to the curb in favor of high-fashion duds straight from the pages of MS.

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Paper Cities: An Anthology of Urban Fantasy

paper cities reviewPAPER CITIES: AN ANTHOLOGY OF URBAN FANTASY is what you’d expect to find on Tori Amos’ bookshelf. Editor Ekaterina Sedia’s put together an anthology of cityscapes, where the locations are often at the world’s end. Writers are sometimes the main characters, with pretentious titles like “dreamcatcher” or “storyteller” (try claiming that to the IRS and see how quick you catch an audit!). Instead of meeting tomorrow, characters meet “in the morn.” These tales often span innocent, mystical times … and remind me of the reasons why I never liked Shakespeare or Doug Henning.

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The Del Rey Book of Science Fiction and Fantasy: Sixteen Original Works by Speculative Fiction’s Finest Voices

del rey book sci fi reviewThis is nothing against Del Rey, but certainly there had to be a better title for THE DEL REY BOOK OF SCIENCE FICTION AND FANTASY: SIXTEEN ORIGINAL WORKS BY SPECULATIVE FICTION’S FINEST VOICES. That wordy, generic moniker suggests the Ellen Datlow-edited anthology is generic and assembly-line, when quite the opposite is true: This is a standout collection deserving of a more standout title.

Its subtitle contains the most telling phrase – SPECULATIVE FICTION – as, admirably, the stories within don’t fall neatly into either the standard sci-fi or fantasy genres. In other words, don’t go looking for spaceships or elves. Instead, expect the unexpected.

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Charles Fort: The Man Who Invented the Supernatural / The Book of the Damned: The Collected Works of Charles Fort

charles fort reviewThe most enjoyable biographies, I think, are of the people you’d never expect. Current bestsellers on Napoleon and John Adams are obvious. Then there’s Charles Fort. Who? Exactly.

As Jim Steinmeyer presents in CHARLES FORT: THE MAN WHO INVENTED THE SUPERNATURAL, he was America’s premier chronicler of unexplained phenomena in a series of books that thumbed their noses at practical science. Without him, there might not be an X-FILES or RIPLEY’S BELIEVE IT OR NOT!

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Sandman Mystery Theatre: The Hourman and the Python

sandman mystery theatre 6 reviewAs becomes more and more clear with each trade paperback issued, SANDMAN MYSTERY THEATRE is the greatest comic of the ’90s that no one seems to talk about. SANDMAN MYSTERY THEATRE: THE HOURMAN AND THE PYTHON is the sixth such collection, with eight issues, two complete story arcs and one damned excellent concept.

Wesley Dodds is like the nerdy version of Bruce Wayne: a bespectacled, mild-mannered, slightly doughy bachelor who moonlights as a crimefighter – in this case, The Sandman, of course, clad in a regular, 1930s-era suit, hat and overcoat, plus the telltale gas mask. His gun emits a gas that acts as a truth serum.

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WHAT ED READ >> 4.21.08

ed gorman what ed readQuick takes and capsule reviews from the dark suspense master himself, Ed Gorman!

worlds jack williamson reviewHaffner Press’ THE WORLDS OF JACK WILLIAMSON is a massive, handsomely made book that is a centennial tribute to the writer Arthur C. Clarke put on a level with both Isaac Asimov and Robert Heinlein. The book is also a tribute to science fiction and fantasy as well, because by the time he passed away at age 98 in 2006, Williamson’s history was the field’s history.

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Mystery Writers of America Presents The Blue Religion: New Stories About Cops, Criminals, and the Chase

blue religion reviewLife behind the badge is explored by 19 top crime authors in MYSTERY WRITERS OF AMERICA PRESENTS THE BLUE RELIGION: NEW STORIES ABOUT COPS, CRIMINALS, AND THE CHASE. Writes editor Michael Connelly in his introduction, “It holds that the best story about the badge is not about how a cop works on a case. It is about how the case works on the cop.”

Take, for instance, the opening “Skinhead Central” by T. Jefferson Parker. In it, a retired cop and his wife attempt to adjust to an idyllic, lakeside life of retirement, but open up a can of worms when they agree to let a local boy – a skinhead, no less – help them move in.

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Dogtown / Soultown

dogtown reviewIn DOGTOWN / SOULTOWN, Stark House Press presents an author with a limited output. But once you read the complete story of Mercedes Lambert, you’ll see why it’s important to bring these back into print. Douglas Anne Munson was a Los Angeles attorney who wrote a total of four books, including three crime novels under her Lambert pseudonym and featuring the character of Whitney Logan, an attorney who is forced into the world of investigation.

Starting off this double-novel collection is a terrific love letter of sorts from author Ken Bruen, who details how much he loves these stories and is upset that Lambert’s talent was cut short and that he never met her. She died in 2003.

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Q&A with STEAMPUNK’s Ann and Jeff VanderMeer

steampunk reviewOnce you’ve polished off THE NEW WEIRD, editors Ann and Jeff VanderMeer have another genre-defining anthology for you in STEAMPUNK. With such talents as Michael Chabon, Joe R. Lansdale and Michael Moorcock, the collection aims to present a snapshot of a speculative-fiction movement that marries the Victorian era with modern technology.

The merry, married VanderMeers talked to BOOKGASM about what steampunk – and STEAMPUNK, the book – is and is not (one thing it is: nicely discounted and autographed, if you preorder by May 15), and their very busy future.

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Out of the Gutter #4

out of gutter 4 reviewWhen’s the last time reading material kicked you in the balls and laughed as it left you vomiting on the sidewalk? I’m guessing it was the issue just prior to the just-released OUT OF THE GUTTER #4. Yes, the indie “modern journal of pulp fiction and degenerate literature” is back with another 200 pages of stories and article so rough-and-tumble dirty, you’ll need a shower afterward … during which it will come back and rape you.

This is all a good thing, of course, being made a book’s bitch. Editor Matt Louis has deemed this “The Hard Times Issue” – timely that – and the contributors run with the loose theme. As always, the mag begins with a flash fiction section, where Robert T. Lord offers “For I Have Sinned,” in which a mother’s confession to a priest who apparently has ignored his own advice of “Do unto to others …”

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Headless Body in Topless Bar: The Best Headlines from America’s Favorite Newspaper

headless body reviewI can’t think of a newspaper headline more famous in all of history than “Dewey Defeats Truman,” but “Headless Body in Topless Bar” has to rank second. That gem was dreamt up by the staff of New York Post, of course, and it’s one of many all-bold wonders collected in the humorous hardback HEADLESS BODY IN TOPLESS BAR: THE BEST HEADLINES FROM AMERICA’S FAVORITE NEWSPAPER.

During a 1989 student trip to the Big Apple in high school, I distinctly remember my journalism adviser decrying how New Yorkers snapped up the Post while letting The New York Times sit virtually untouched on the stands. This piqued my curiosity.

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Button, Button: Uncanny Stories

button button reviewRichard Matheson’s BUTTON, BUTTON: UNCANNY STORIES may only exist because the title story soon will be a movie titled THE BOX – starring Cameron Diaz and James Marsden – but that’s okay. Any excuse for a Matheson release is a good one.

You’d best revisit 1970’s “Button, Button” beforehand, anyway. Its premise is classic: If a box appeared that would give you money for pushing its button, yet take away the life of a stranger, would you be tempted? It’s a chilling idea – one well-executed by the author, even if the last line merits a ba-dum-dum to drive home what is essentially a joke.

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Shooting Star / Spiderweb

shooting star reviewAlthough Robert Bloch made his reputation with horror or horrorific stories and novels, he worked steadily throughout his career in the mystery and crime genres, as Hard Case Crime’s new double book (more of these, please) SHOOTING STAR / SPIDERWEB makes clear. SHOOTING STAR, one-half of it, is not only criminous, it’s also set in Hollywood, one of Bloch’s abiding fascinations.

The hook here is novel for those of us who can remember how actor William Boyd bought up all his HOPALONG CASSIDY movies when they fell from popularity in the 1940s and later sold them to TV. Buy low, sell high – they brought him millions.

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The New Weird

new weird reviewTruth in advertising: THE NEW WEIRD, edited by Ann and Jeff VanderMeer. Believe me, when they say it’s weird, they mean it.

This so-called “New Weird” subgenre is an extension of ye old “weird tale,” but with a higher literary level and a heavy hand of the grotesque and grueling. And least that’s what I gathered from Mr. VanderMeer’s intro.

Personally, I view New Weird like Supreme Court Justice Potter Stewart did hardcore pornography: “I know it when I see it.” And I see it all over the pages of this unique, twisted, unpredictable and oddly rewarding anthology.

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BULLETS, BROADS, BLACKMAIL & BOMBS >> Double-Naught Spy

bullets broads blackmail and bombsfrom russia love reviewWe hit a milestone today, as this column marks the 100th in my never-ending run through old paperbacks. To celebrate, we’re covering three books from one certain author who also would be celebrating his 100th birthday. Regular BBB&B readers know I’ve taken many a potshot at Ian Fleming’s creation of James Bond, but actually, I’m a big fan of the books and films. So let’s don our tuxedos, get us some shaken-but-not-stirred martinis, and delve back into the world of 007.

FROM RUSSIA WITH LOVE by Ian Fleming – I’ve replaced all my beat-up Bond books with Penguin’s recent reissues, and this 1957 novel – the fifth in the series – is my favorite of the whole run. Don’t just take my word for it; it’s considered one of the best by most fans of the series.

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Flight Explorer: Volume 1

flight explorer reviewA quick lesson: FLIGHT is the name for a series of loosely themed comic anthologies for older readers. The new FLIGHT EXPLORER: VOLUME 1, however, is a loosely themed comic anthology by the same creators, only for middle-school students. I happened to love it. As in, a lot. Does that make me 12 again? If so, I’ll take it – but this time, without the angst, please.

My only exposure to FLIGHT thus far (about to change, however) was from a sampler given away a few Free Comic Book Days ago. You need no introduction for FLIGHT EXPLORER; just open it, dive in and get lost.

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Horrors Beyond 2: Stories of Strange Creations

horrors beyond II reviewLike many a youth of the ’80s, my introduction to H.P. Lovecraft and most things weird was through a late-night Skinemax viewing of that unheralded classic FROM BEYOND. I beat a path to the library to find more, only to be completely disappointed. Where was the S&M? The twisted body morphing? And where was the horny and sexually depraved Barbara Crampton character?  It took me a couple of years to come back to the fold and gain my appreciation. 

Elder Signs Press’ HORRORS BEYOND 2, edited by William Jones, reminded me a lot of that early experience.  The best encapsulated description I can come up with for this anthology of stories is the use of uncanny technologies beyond the control of humanity.
 
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The McSweeney’s Joke Book of Book Jokes

mcsweeneys joke book reviewDid you hear the one about LOLITA’s pedophiliac Humbert Humbert being confronted by DATELINE’s “To Catch a Predator” segment? If not, consult THE MCSWEENEY’S JOKE BOOK OF BOOK JOKES pronto. This slim but satisfying anthology pokes a number of holes into the often-inflated world of self-important literature and writing with dozens of brief biting bits.

From the start – namely, the introduction by John Hodgman – you can tell you’re in for a good time. “It is hilarious that Herman Melville wrote MOBY-DICK,” he writes. “It is hilarious that it has a tattooed cannibal in it named ‘Queequeg’ and also a guy with a peg leg, and what’s more, it’s GODDAMNED TITLE IS MOBY-DICK. Priceless. I know, as we all do, that MOBY-DICK is hilarious, and I HAVEN’T EVEN READ IT.”

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