From the monthly archives:

December 2006

chinatown death cloud peril reviewGoing through 51 weeks’ worth of reviews, one thought struck me above all others: “Geez, we covered a ton of books this year.” You’d think that’d make it difficult to separate the wheat from the chaff, but no. These books below stuck out for a reason – click any of the links to read our original reviews.

Best in Fiction
For those of you among the BOOKGASM faithful, this should come as no surprise: Paul Malmont’s THE CHINATOWN DEATH CLOUD PERIL made our summer, and nothing else came close before or since. Paying tribute to pulp fiction in a literary style, Malmont excites while eliciting emotion – no easy task – and emerges with the year’s best made-up read, ironically about real-life writers most would think unworthy of such a showcase. Their loss, your gain. We simply cannot wait for Malmont’s next.

Runners-up: James Morrow’s criminally ignored bizarro fantasy THE LAST WITCHFINDER, Hard Case Crime’s one-two punch of Seymour Shubin’s WITNESS TO MYSELF and Max Allan Collins’ THE LAST QUARRY, David L. Robbins’ inexplicably overlooked thriller THE ASSASSINS GALLERY, Joseph Wambaugh’s welcome return with HOLLYWOOD STATION, Christopher Fowler’s addictive whodunit TEN SECOND STAIRCASE and Scott Smith’s horrific (in a bloody good way) THE RUINS.

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the terror reviewTHE TERROR by Dan Simmons – Take a true-life Arctic expedition gone horribly, fatally wrong; fictionalize it with a supernatural element and an epic scope; and you’ve got the latest from Simmons, returning to horror after a long hiatus that’s seen him concentrating on sci-fi. Early reviews peg this as a cross between Stephen King’s fright-filled novels and Patrick O’Brian’s nautical adventures. Though it will be cold in January, this has the potential to chill you even more. (Jan. 7)

DEEP STORM by Lincoln Child – Child’s third solo outing finds him firmly entrenched in thrillerville, with an outbreak on an oil rig, an undersea habitat and a little something called Atlantis. As stated many times before, I’ll gladly read anything this man writes. (Jan. 30)

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mask of atreus reviewBecause that pesky thing known as “making a living” prevents me from reading all day long, I can’t always get to everything I want. Such as these unlucky 13 novels, in no particular order other than their left-to-right position on my shelf, on which they sit, mocking me with their uncracked spines:

THE MASK OF ATREUS by A.J. Hartley
IN DREAMS by Shane Christopher
SHADOWS BEND by David Barbour and Richard Raleigh
LISEY’S STORY by Stephen King
THREE DAYS TO NEVER by Tim Powers
THE GLASS BOOKS OF THE DREAM EATERS by Gordon Dahlquist
THE PALE BLUE EYE by Louis Bayard
THE LOST VAN GOGH by A.J. Zerries
THE POE SHADOW by Daniel Pearl
THE SWARM by Frank Schatzing
SPECIAL TOPICS IN CALAMITY PHYSICS by Marisha Pessl
THE THIRTEENTH TALE by Diane Setterfield
DEMON THEORY by Stephen Graham Jones
–Rod Lott

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shannon tweed braIn this – 2006’s final monthly round-up of search terms that bring new pervs people to BOOKGASM – a list of the usual suspects. But look! Toward the bottom (no pun intended), newcomer Shannon Tweed, queen of the erotic thriller. We welcome you, Shannon, with open arms. (No, seriously. Give us a call. We’ll spring for cab fare.)

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infoquake review2006 was a solid year for science fiction. The biggest story of the year, in my opinion, is Pyr’s rise to prominence as a high-quality sci-fi imprint. Pyr has managed to round up a stable of authors and titles that represents the cutting edge of sci-fi and backs it up with promotion and marketing that pretty much outdoes the other imprints out there. Bravo, Pyr. Here’s hoping for an even greater 2007. With that groveling out of the way, here’s the rundown of the five best sci-fi books I read this year:

5. INFOQUAKE by David Louis Edelman / CROSSOVER by Joel Shepherd (tie) – This pair of books is a great example of what Pyr is doing right. INFOQUAKE is a tech-heavy exercise in scientific speculation that combines economics, high technology and business mechanics into an all-too-human story of greed, loss and redemption. CROSSOVER isn’t satisfied with being just another hot-chick-android-assassin book and goes for some heavy-duty characterization (not unlike what’s been going on in TV’s BATTLESTAR GALACTICA) that makes the kicking ass that much more tremendous.

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